Sienna Miller by Ryan McGinley for Vogue

Mark Rothko, No. 5/No. 22

Barbara Kruger, Untitled (Your Gaze Hits the Side of My Face), 1981. Photograph, red painted frame, 4’7” x 3’ 5”. 

Kruger has explored the “male gaze” in her art. Using the layout technique of mass media, she constructed this word-and-photograph collage to challenge culturally constructed notions of gender.

Xu Bing, A Book From the Sky, 1987. Installation at Chazen Museum of Art, University of Wisconsin, Madison, 1991. Moveable-type prints and books. 

Xu trained as a printmaker in Beijing. A Book From the Sky, with its invented Chinese woodblock characters, may be a stinging critique of the meaninglessness of contemporary political language. 

Jean-Honoré Fragonard, The Swing, 1766. Oil on canvas, 2’ 8 5/8” x 2’ 2”. 

Fragonard’s Swing epitomizes  Rococo style. Pastel colors and soft light complement a scene in which a young lady flirtatiously kicks off her shoe at a statue of Cupid while her lover watches. 

Lola Guerra, Nebula Humilis

French artist Isa Barbier deconstructs flight with his billowing installation artwork — he hangs feathers on fine filament so gravity never gets its way with them. Hauntingly beautiful.

Hugo Barros, Alaska’s Busiest Seaplane Base (Stranger)

Disappointments are to the soul, what the thunderstorm is to the air.
— Friedrich von Schiller